Concerto for Oboe and Violin in D minor, BWV 1060 – Robert Orr (oboe), Peter Clark (violin), Bethany Angus (harpsichord), Adam Festival Orchestra
Aria “Es dünket mich, ich seh dich kommen” from Cantata BWV 175 – Colin Ainsworth (tenor), Daniel McDonough (cello), Phoebe Russell (double bass), Paul Chan (chamber organ)
Aria “Erwäge, wie sein blutgefärbter Rücken”, from St. John Passion BWV 245 – Colin Ainsworth (tenor), Mélanie Clapiès and Meg Freivogel McDonough (violins), Martin Smith (cello), Bethany Angus (harpsichord)
Aria “Ich eile, die Lehren des Lebens zu hören” from Cantata BWV 148 – Colin Ainsworth (tenor), Natalia Lomeiko (violin), Martin Smith (cello), Bethany Angus (harpsichord)
Prelude and Fugue in E-flat major, BWV 552 – Paul Chan (organ)
Aria “Seht, Seht, wie reisst, wie Bricht, wie fällt” from Cantata BWV 92 –
Colin Ainsworth (tenor), Paul Chan (chamber organ), Adam Festival Orchestra
Aria “Ich Armer Mensch, ich Sündenknecht”, BWV 55 – Colin Ainsworth (tenor), Robert Orr (oboe d’amore), Bethany Angus (harpsichord), Adam Festival Orchestra, Chroma Choir
Violin Concerto in A minor, BWV 1041 – Natalia Lomeiko (violin), Bethany Angus (harpsichord), Adam Festival Orchestra
Adam Festival Orchestra
Violin: Eden Annesley, Mélanie Clapiès, Peter Clark, Meg Freivogel McDonough, Arna Morton, Mana Waiariki
Viola: Gillian Ansell, Tal Amoore, Liz Freivogel
Cello:
Daniel McDonough, Martin Smith
Double bass: Phoebe Russell
An exceptional ensemble of festival artists comes together for a luminous evening of Bach, explored through a rich variety of instrumentations and interpretations. From radiant arias and intimate solo works to vibrant concertos, this programme offers both reflection and celebration, set within the serene beauty of Nelson Cathedral.
Proudly supported by Dorothy & Alastair Kerr
